Mobile Unit: Henry V at The Public Theater

At any given moment in a theatrical season, it is likely there is a Shakespearean production being performed in both major and minor theatres and cities across the English-speaking world. The Bard’s relentless staying power is undeniable. But how do modern companies keep the work fresh and relevant, particularly the Histories, many of which are set in times, places and about people which seem to bear little significance on contemporary life in America? One simple answer is that at the root of all of these stories lie rich, complex and utterly human characters whose grappling with their struggles and delights in their

“Saint Joan” at the Samuel J. Friedman Theatre

Three-time Tony nominee Condola Rashad stars in the title role of Saint Joan at the Samuel J. Friedman Theatre. Her performance all but guarantees a fourth, and I expect her to win this time. She is, simply, a brilliant actor. In addition to her talents, the Manhattan Theatre Club has assembled a cast with chemistry and expert craftsmanship under the direction of Daniel Sullivan. When the weak link is George Bernard Shaw's rather long script, you have the makings of theatre at its best. The story is set in 15th century France during the Hundred Years' War, and the English are

Travesties at American Airlines Theatre

All great writers—especially playwrights—become, at some point, drunk on their own words. Ben Johnson accused Shakespeare of such literary inebriation. I think the same could be said of Eugene O’Neill, Edward Albee and James Joyce—which brings me nicely to Tom Stoppard and his own great, besotted spillage of verbiage, TRAVESTIES, revived by the Roundabout Theatre Company. I first saw this play on Broadway in 1975 with the wonderful John Wood as Henry Carr. That was in my salad days, when I was green in judgment—by which I mean a lot of the play was WAY over my head. Yet I still

Escape to Margaritaville on Broadway at the Marquis Theatre

Paul Alexander Nolan, Alison Luff and the cast of Escape to Margaritaville. Photo by Matthew Murphy. Photo above: Jimmy Buffett and cast. When April in New York City is ushered in by a blanket of snow, everyone could use a little getaway to somewhere warm, wonderful and inviting, far away from the hustle and bustle of city life, where one could entertain the unthinkable - to relax. For East Coast snowbirds who didn’t get the chance to fly south to Florida, or the Midwestern family of four who opted for The Big Apple instead of the Caribbean cruise, Escape From Margaritaville,

Theatre: The Flea Theater presents ‘MS. ESTRADA’ by the Q Brothers Collective

Malena Pennycook (center) and the cast of "Ms. Estrada". Photo: Hunter Canning.

This season female empowerment dominates two big Broadway musicals.  Sure, both "Frozen" and "Mean Girls" have female leads but those #MeToo connections are slightly perfunctory: the only change Disney princesses and a SNL alum bring to commercial theatre are record ticket sales + pricing along with celebrity audience sightings on Instagram.  For those in search of a night out with their tweens or long for an original musical with a positive message delivered by "woke" females there is "Ms. Estrada" - the Q Brothers Collective shrewd Hip-Hop adaptation of Aristophanes’ ancient sex farce in its world premiere at The Flea.  If

Rocktopia at The Broadway Theatre

Before there was Beatlemania, there was Lisztomania. The 19th Century Hungarian composer created such a fan frenzy that it would be the envy of any 20th or 21st Century musician - for classical music, along with Opera, and their creators, were the arena rock stars of their era. This grandness of mayhem and musicality is keenly felt in Rocktopia. So if you are looking for the most astounding arias, soaring symphonic sounds or incendiary electric guitar, you needn't bother with multiple trips to The Metropolitan Opera, Carnegie Hall or MSG - they're all under one roof at The Broadway Theatre! Rocktopia:

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