Lacan’s mirror stage provides the trampoline for Denisa Musilova’s haunting new work, “Fitting Rooms”. The rich psychological substrata of the piece allows for a deeply complex unpacking of the adult games people play in their search for identity and belonging. This is the fourth work I have seen by this meticulous Czech choreographer and I again found myself engaged in an intense dialogue with the work as it unfolded before me. It brings up questions that demand thoughtful answers and the work probes your subconscious looking for resonance with your shadow side. She sets off a series of chain reactions