Wednesday, April 2, 2025
A mere 365 days ago, I found myself stepping onto the productions of America’s largest theatrical conglomerate, The American Immersion Theater (AIT). Specializing in delightfully twisted Murder Mystery shows, this company has become the crème de la crème of the immersive theater landscape. My journey with AIT over the past year has been nothing short of an odyssey, an exuberant escapade through the realms of drama and deception. Little did I know that AIT was scaling the heights, culminating in a brand-new, audacious endeavor tucked away in the resplendent heart of Manhattan! This September, the iconic Carmine’s—a culinary monument of family-style
Author: DB Frick
D.B. is a long time writer and performer. He's had the opportunity to work alongside such greats a Martin Scorsese and Jesse Eisenberg. Most recently D.B. was a writer and performer for the podcast The National Lampoon Presents The Final Edition run by comic icon Tony Hendra, whom D.B. has also written with. D.B. was Senior Comedy Writer for The NY Theatre Guide, interviewing many greats and reviewing NYC Comedy. D.B. also has a script used as material in an NYU Tisch writing class taught by mentor, D.B. Gilles. D.B. has also taught Improv and Writing at UCLA and Cambridge University in the United Kingdom.
BroadwayCon 2024: A Celebration of Theater and Conversation
I had the pleasure of attending BroadwayCon this past week at The New York Hilton. This marked my sixth review of the event since it was founded by Anthony Rapp in 2016. It’s hard to believe we’re approaching the ten-year anniversary of this spectacular gathering for theater enthusiasts, especially since BroadwayCon will return in February, back to its original time slot. D.B. Frick Giving Improv Seminar This year was particularly special for me, as I had the incredible opportunity to lead a presentation. I hosted an Improv Seminar titled "Improv: A Brief History and How to Create Your Own Show in Under
Will “Suffs” Have Enough To Snuff Out The Competition This Season
Suffragette!!!! Ohhhh!!! Ohhhhh!!! As Sir Paul McCartney once sang or thereabouts. “Suffs,” is the latest Broadway sensation nominated for 6 Tony Awards and executive produced by Hillary Clinton. “Suffs” transports audiences back to the heart of the suffragette movement in 1917. This bombastic and poignant musical, led by Shaina Taub, a multifaceted talent who wears many hats as the writer, composer, and star, shines a bright light on the historical journey of the courageous women fighting for the right to vote. In the spirit of Lin Manuel Miranda’s groundbreaking work with “Hamilton,” Taub showcases her brilliance, promising a masterpiece that
The Great Gatsby Grants A Gratuitous Look At The On Going Wealth Gap
The new musical adaptation of "The Great Gatsby" on Broadway seems to be in a race to outdo other shows that feature more rain than you can shake a stick at and more cars than Jerry Seinfeld could handle. Jay Gatsby, the self-made enigma and party king of West Egg, Long Island, is a man of insecurities hidden behind a facade of wealth, constantly teetering on the edge of exposure. Like all men. In this dazzling Jazz Age production, Gatsby’s grand gestures to impress the high society, from showcasing his Oxford photo like a desperate salesman to transforming his neighbor Nick's
Rachel McAdams shows us how to do it in “Mary Jane”
As if I didn't have enough reasons to not have children. “Mary Jane” written by Amy Herzog (who once again hardens the fact that she is America’s premiere playwright) gives us the best reasons for living a childless life. The economic climate, wealth disparity, food shortages. The future seems nothing but despondent so any effort to have children at this point strikes me as particularly selfish from a parental viewpoint (and I’ve raised both animals and other people's children). That being said, I currently work with and have worked with many students who were wheelchair-bound and on inhalation devices which is never a sight one wants to behold for their child. The loss of a three-year-old by a mother is
I’m an Insider Now That I’ve Seen The Outsiders
When I stepped out into the bright stage light I was brought back to 1967. In 1983 at age 7 I first saw "The Outsiders". I watched it over and over again. I didn't realize why I needed to watch it so often until now. The themes of loss, trauma, one's inner fight, rich man poor man, and most importantly the need for an opportunity to get out and on the road are alive and well in this story. Then in 8th grade, I had to read the book. What I mostly remember is how mean Pony Boy was to" Cherry
Bringing Proust Back To Life Amid The Pandemic
I Went To See Spamalot And All I Got Was This T Shirt And Whole Lance A Lot Of Laughs.
2024 Cast Of Spamalot Photo: Playbill: Alex Brightman Knight of "Ni" I decided to review "Spamalot"after its run was over because I think it's funny. I had the pleasure of attending the final night of Spamalot, and what a night it was! As a seasoned aficionado of comedy, with Monty Python and Sketch Comedy taking center stage in my entertainment repertoire, this production was a delightful spectacle that tickled my funny bone in all the right ways. I went with my friend who writes books, so I felt very important that evening. Let's travel back in time to a momentous occasion – when
The Notebook Hits Broadway Hitting All Notes To Perfection
My girlfriend, whose love of Ingrid Michaelson knows no bounds, made me go see "The Notebook" on Broadway and I cried for 2 1/2 hours straight. The much anticipated premiere of "The Notebook" a new musical by Ingrid Michaelson at the Gerald Schoenfeld Theatre brought a captivating and emotional experience to the audience. Everyone knows both the 1996 Nicholas Sparks novel as well as the 2004 film staring Ryan Gosling and Rachel McAdams. The film has become ubiquitious when talking about great love stories and the unwavering eventual end of every love story. The seamless transition between the modern nursing home
The Hamilton Mocumentary We Needed Lincoln: The Musical
I'm a huge fan of satire and parody when it comes to comedy genres. Recently, I had the pleasure of viewing "Lincoln: The Musical," by Artie Brennan with a cast of hilarious improvisors and actors. Lincoln: The Musical was filmed on location in NYC. This comedy delves into the world of making it on Broadway, adding a fresh take to the mockumentary genre. Drawing parallels to classic mockumentaries like "Waiting for Guffman," "Best in Show," and Robert Townsend's "Hollywood Shuffle," "Lincoln The Musical" is a laugh-out-loud journey. Artie Brennan and Anthony Giordano the film's directors do a superb job of double helming. Artie