I had the pleasure of attending BroadwayCon this past week at The New York Hilton. This marked my sixth review of the event since it was founded by Anthony Rapp in 2016. It’s hard to believe we’re approaching the ten-year anniversary of this spectacular gathering for theater enthusiasts, especially since BroadwayCon will return in February, back to its original time slot.

D.B. Frick Giving Improv Seminar

This year was particularly special for me, as I had the incredible opportunity to lead a presentation. I hosted an Improv Seminar titled “Improv: A Brief History and How to Create Your Own Show in Under an Hour.” Sharing the stage with such talented individuals at this historic event was an unforgettable experience. The seminar was interactive and over 20 attendees participated with an audience of over 50. We went through the basics of Improv history and a simple format to have fun with friends at home.

The convention also showcased fantastic performances from both “The Notebook” and “The Outsiders”, both of which are achieving impressive box office success. The energy in the theater was palpable as attendees rallied around these new productions.

Another highlight was the vibrant marketplace offering unique merchandise and exclusive purchase opportunities. Fans had the chance to meet and obtain autographs from major stars, making it a truly interactive experience.

One of the most noteworthy aspects of this year’s BroadwayCon was its focus on mental health awareness, a vital discussion that resonated throughout the weekend. As Hannah Cruz, a Broadway debutant, aptly stated, the intensity of performing can take its toll, leading to a culture that often prioritizes toughness over vulnerability. This year’s event featured essential conversations revolving around the challenges of sobriety, self-care, and body image—topics that artists often grapple with silently.

Tracey, Jada, Lena Sporting Beetlejuice Cosplay

Discussions highlighted the importance of accessibility, especially for autistic audiences, fostering a more inclusive theatrical environment. Various sessions provided a safe space for theatergoers, whether they wanted to share experiences or learn more about the issues at hand.

Among the notable events were panels focusing on self-care and the toll of performing eight shows a week, enlightened by experts and artists who shared their journeys with mental health. The candid discussions about body image and the struggles artists face in the industry were especially powerful, emphasizing the need for support and understanding.

Overall, BroadwayCon 2024 was not just a celebration of theater; it was a pivotal moment for raising awareness about mental health in the arts. As we count down to the next iteration in February, I’m already looking forward to the conversations and connections that will shape the future of our cherished Broadway community.