“Old Friends” Are Making New Friends On Broadway

“Old Friends,” the joyous Sondheim revue now gracing the Samuel J. Friedman Theatre, is less a show and more a heartfelt celebration—a Broadway party where every guest is an absolute legend! With Bernadette Peters and Lea Salonga leading the charge, the audience is in for a storm of emotions strong enough to make even the thickest mascara run. Heaven help those who don’t come prepared with tissues!

Bernadette Peters as Dot From “Sunday In The Park With George”

Bernadette Peters returns to her iconic role as Dot from “Sunday In The Park With George” with a flair that is nothing short of captivating. When she opens her umbrella, the audience collectively holds its breath—whether it’s from nostalgia or the sheer brilliance of her performance is hard to tell. Peters swings with finesse from hilarity to heartbreak, particularly as Mazeppa in “Gypsy,” proving her comedic timing remains impeccable. I was ecstatic to see her with a trumpet as her scene in “The Jerk” with Steve Martin had the funniest joke in film history where she’s singing and pulls a trumpet out of nowhere. Her heart-wrenching rendition of “Send In the Clowns” leaves the audience yearning for more, delivering the emotional punch of a Shakespearean tragedy wrapped in Broadway’s splendor. I know I cried but, don’t tell anybody.

Lea Salonga as Mama Rose in “Gypsy”

And then there’s Lea Salonga—a true powerhouse! Her voice is as crisp as a fresh autumn day, effortlessly soaring through “The Worst Pies in London” and “Everything’s Coming Up Roses.” Salonga exhibits remarkable range, combining wit and warmth that captivates every listener. The chemistry between her and Peters lights up the stage, creating a delightful camaraderie that adds layers to the performance.

The evening is brought to life by a glorious ensemble of 17 talented performers, each adding to the magic with their own standout moments. From Joanna Riding’s applause-worthy portrayal of bridal jitters to Jeremy Secomb’s charming yet slightly menacing Sweeney Todd, the ensemble crafts a sumptuous wall of sound that transforms the audience from mere spectators into participants in something truly fantastic. This revue encapsulates the very essence of the Broadway spirit, demonstrating that Sondheim’s work transcends time and space.

The Cast Goes “Into The Woods” And Out Again

“Old Friends” successfully intertwines Sondheim’s most beloved hits, creating a well-curated collection of classics. While it may echo familiar tunes, it’s impossible to resist being swept away by its charm, especially thanks to the dazzling performances from Broadway icons. Highlighting nostalgic favorites such as “Sweeney Todd,” “Follies,” and “Into the Woods,” the revue cleverly juxtaposes the emotional weight inherent in these songs. Even a well-worn classic like “The Ladies Who Lunch,” sung with fierce conviction by Beth Leavel, comes alive in unexpected ways, while Salonga’s interpretation of “Everything’s Coming Up Roses” infuses the number with fresh ambition.

However, the show is not without its occasional shortcomings. Some performances, while technically proficient, lack the vibrant urgency that Sondheim’s material craves. The staging, supported by a talented 14-piece orchestra under the baton of musical director Stephen Metcalfe, sometimes falls into conventional pitfalls typical of revue productions: a stark black stage, overly simplistic set designs, and exaggerated gestures that detract from genuinely conveying the material’s emotional depth. Revue can be a cheap way to put on a show and I often feel left undone as there is no story and culmination.

Bernadette Peters as Little Red Riding Hood

Yet, it’s within the darker, more complex numbers where this revue finds its true momentum. Peters’ heart-wrenching delivery of poignant pieces juxtaposed against Jason Pennycooke’s delightful twist on “Live Alone and Like It” showcases the show’s remarkable range.

Ultimately, “Old Friends” is about celebrating the emotional resonance of Sondheim’s revered catalog, delivering a tribute that sparks joy and nostalgia. It invites both die-hard fans and newcomers alike to join this exuberant gathering, cherishing old friends and the magic of musical theater, underscored by the brilliance of one extraordinary composer. With “Old Friends,” we are reminded of what makes Broadway a home for so many—a place of friendship, laughter, and those blissful, happy tears. So, come one, come all—RSVP for the next best Broadway party of the year!

for tickets : https://www.manhattantheaterclub.com

running time : 2 hour 35 minutes

DB Frick
D.B. is a long time writer and performer. He's had the opportunity to work alongside such greats a Martin Scorsese and Jesse Eisenberg. Most recently D.B. was a writer and performer for the podcast The National Lampoon Presents The Final Edition run by comic icon Tony Hendra, whom D.B. has also written with. D.B. was Senior Comedy Writer for The NY Theatre Guide, interviewing many greats and reviewing NYC Comedy. D.B. also has a script used as material in an NYU Tisch writing class taught by mentor, D.B. Gilles. D.B. has also taught Improv and Writing at UCLA and Cambridge University in the United Kingdom.

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