The two hardest types of theatrical production to pull off are polar opposites in complexity. On the one hand, there is the classic Broadway musical that requires a range of talents and has so many moving parts that it's a miracle any of them succeed. On the other, there is the simple play involving two people just talking, which is difficult because so much hinges on so little – just words as they are delivered. Will Snider's “Death of a Driver” is clearly of the latter class, and it is largely successful in delivering the words with a punch. Sarah (Sarah