He said nothing.  She said nothing nice.  He tried.  She still made no effort.  He got angry.  She got violent.  That is the double one-sided conversation at The Tank in Theatre of War’s reimagining of Amiri Baraka’s “(Flying) Dutchman”, which is as confrontational and relevant as it was in 1964. Rather than setting the interaction between middle-class African-American Clay (Malcolm B. Hines) and White poetess Lula (Jonathan Schenk) in a subway like Baraka did, director Christopher Stevenson has the two “talk” across a long table.  Microphones provide the public performance Lula craves and testimony Clay provides her with regarding his life.