Dancin’: Celebrating an Art Form

Bob Fosse developed the musical Dancin' as both a tribute to and a departure from his signature choreographic style. The show, which premiered on Broadway in 1978, was conceived as a celebration of dance itself, showcasing a wide variety of dance styles and techniques in a series of distinct sequences, each with its own style. Fosse used this structure to experiment with different choreographic techniques and to explore the boundaries of what was possible within the realm of dance. It worked. The initial production ran for 1,774 performances and launched a national tour that included different scenes and dances, demonstrating the

‘Forbidden Broadway: The Next Generation’ at The Triad

Jenny Lee Stern (left) as Gwen Verdon and Chris Collins-Pisano (right) as Bob Fosse in a scene from FORBIDDEN BROADWAY: THE NEXT GENERATION at the Triad Theatre.

Forbidden Broadway: The Next Generation is review-proof.  Creator/Writer/Director Gerard Alessandrini started parodying The Great White Way in 1982, and The Triad Theatre (158 West 72nd Street) was packed with show-tune types for its first reincarnation in five years. Running through November 30, the 80-minute revue is the best kind of tried-and-true evening, matinee or celebratory time out with a great cast and Fred Barton at the piano. Alessandrini didn't have to look hard for new material.  Most of the skewering is for movies turned into musicals - a formula with mixed creative and box office results.  Moulin Rouge!, Tootsie and Beetlejuice  all get

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