The Broadway premiere of “A WONDERFUL WORLD: THE LOUIS ARMSTRONG MUSICAL” has made its sparkling debut at the electrifying Studio 54, and it’s a musical that serves up laughter alongside soul-stirring melodies. Starring the immensely talented James Monroe Iglehart as Louis Armstrong, this production takes audiences on a delightful journey through the life of the jazz icon—complete with romance, musical arrangements by Bradford Marsalis, Armstrong marital misadventures, and a dash of comedy that will leave you grinning from ear to ear.

Iglehart shines as Armstrong, channeling the legendary trumpeter’s signature raspy tones and magnetic personality with infectious energy. The show leans into the humor of Armstrong’s life, notably highlighting his relationships with his four wives: Daisy Parker (Dionne Figgins), Lil Hardin (Jennie Harney Fleming), Alpha Smith (Kim Exum), and Lucille Wilson (Darlesia Cearcy). It’s a hilarious romp through his romantic escapades, and Iglehart navigates these comedic misadventures with the kind of charm that could make even those who don’t laugh, chuckle.

The narrative, which focuses on Armstrong’s marriages, is a joyride filled with laugh-out-loud moments as the wives react to Armstrong’s eccentricities and his never-ending tours. This musical effectively portrays him as a loveable rogue—a man whose professional triumphs are expertly balanced by personal foibles. Picture this: a jazz legend trying to smooth things over after a late-night gig, only to find himself entangled in the chaos of four formidable women pushing back against his charm. The comedy writes itself!

Under Christopher Renshaw’s direction, the show delivers more than just biographical sketches; it highlights the dynamic, humorous exchanges that Armstrong shares with his wives. Their interactions bring levity and vibrancy to the stage, creating a delightful contrast to the serious undertones of his career. The pacing is brisk and engaging, and the musical cleverly juxtaposes the highs of Armstrong’s career with the inevitable lows of his love life, keeping the audience both entertained and emotionally invested.

The musical numbers shine brightly, with beautifully arranged music by Bradford Marsalis that pays homage to Armstrong’s greatest hits. From “What A Wonderful World” to “It Don’t Mean A Thing (If It Ain’t Got That Swing),” the show showcases Iglehart’s impressive vocal talent along with the sparkling harmonies of the ensemble. Each wife brings her own flair to the performances, adding to the whimsical atmosphere. Lark’s sweet vocals as Alpha are particularly enchanting, while Campbell’s transformation from hopeful chorus girl to exasperated spouse layers her performance with humor and depth.

In the heart of the production, Gavin Gregory shines as King Joe Oliver, a role that deeply resonates with the soulful history of jazz. Gregory brings a unique authenticity to his performance by using the trumpet from his childhood, imbuing each note with personal significance and a deep connection to the music he embodies. His rendition of “Tight Like That” serves as a powerful gateway into the world of the show, capturing the essence of the era and drawing the audience into the vibrant atmosphere of early jazz. Through Gregory’s portrayal, King Joe Oliver not only influences the legendary Louis Armstrong but also serves as a pivotal figure that reflects the passion and struggle of musicians at that time, enriching the narrative with historical depth and emotional resonance. The combination of Gregory’s talent and the nostalgic trumpet adds a layer of richness to the performance, making it an unforgettable experience for all.

Iglehart and Gregory have an exchange as and Armstrong and Oliver .

Iglehart’s ability to navigate both the comedic and poignant moments truly elevates the production. He brings Armstrong’s essence to life, creating a character who is equal parts lovable and flawed. The comedic timing exhibited by the entire cast—especially during heated exchanges between Armstrong and his wives—provides a refreshing take on his story, making it accessible and relatable.

In conclusion, **A WONDERFUL WORLD** offers a joyful, engaging exploration of Louis Armstrong’s life filled with heart and laughter. Iglehart’s standout performance, combined with a talented cast, creates a vibrant tribute that embraces the humor in Armstrong’s romantic misadventures. This musical is a must-see at Studio 54, promising audiences a night of unforgettable entertainment and a reminder that every jazz legend has a funny side. Don’t miss your chance to revel in this uplifting celebration of life, love, and “wonderful” music!

Runtime: 2hrs 30 min15 with min intermission

For Tickets: https://louisarmstrongmusical.com/tickets/