DRACULA: A COMEDY OF TERRORS at New World Stages

Combine elements of Rocky Horror Picture Show and Beetlejuice with The 39 Steps and Mel Brooks’s Young Frankenstein, add a quick-witted, fast-paced, farcical script, mix in five phenomenally talented actor comedians, dozens of fanciful quick-change costumes, all wrapped up in a big batty vampire bow and you’d have Dracula: A Comedy of Terrors. The show, written by Gordon Greenberg (who also directs it) and Steve Rosen, now playing Off-Broadway at New World Stages, is a riotous romp that’s sexy, spooky and utterly hysterical.  Though Dracula (played by the devastatingly dashing and terrifically talented James Daly, who’s more of an Alexander Skarsgard

Dracula — Resounding Live Immersive Audio

There is something deliciously lovely about turning off all the lights in the house and listening to a horror tale on a rainy autumn night. So with the mood set, I accessed Resounding Live Immersive Audio's “Dracula” on my smartphone with my headphones plugged in. The result was radio theatre for the 21st century. The script was an hour-long edit of the Bram Stoker novel, and so a great deal had to be left out. Fortunately, one can leave out Renfield and the asylum and lose nothing much of the real tale. The truth is Stoker wrote more than he needed

Radical Adaptations of Dracula & Frankenstein Ignite Classic Stage Company

For as many adaptations and interpretations as there are of the classic gothic horror novels Frankenstein and Dracula, it is hard to imagine two more creative, unique, radical and timely works that deal with the well-known tales and characters than the pair playing in a repertory cycle at Classic Stage Company (CSC). They are also strikingly contrasting works. Both are deeply engaging, provocative and compelling explorations of the source material -- each of which was written in the 1800s, one slightly predating the other near the end of the Victorian era. They remind the audience of timeless themes investigated in

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