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Desperate Measures at New World Stages

It’s a rare thing when all of the elements come together perfectly to create true theatrical magic. One of the most recent examples of that kind of kismet is a delightfully riotous romp called Desperate Measures, now playing Off-Broadway at New World Stages after its multi-award winning (Drama Desk, Outer Critics Circle and Off Broadway Alliance) and numerously extended run at the York Theater last year. The plot, which examines how justice is served and manipulated, is loosely based on Shakespeare’s Measure For Measure. The setting is the Wild West where Johnny Blood (Conor Ryan) waits in jail with a drunken,

Chita Rivera Awards 2018 at NYU Skirball Center

At the Chita Rivera Awards on Sunday, Tony Yazbeck, winner of Outstanding Male Dancer in a Broadway Show (for Prince of Broadway), a gentleman onstage and off, modern-day mensch of movement, and the Gene Kelly or Fred Astaire (for whom the Awards were previously named) of this era, recalled his journey to becoming a true triple threat: "Dance has been part of my soul since I was four. I was a dancer first and foremost, and when I was a kid I never wanted to do anything else. Then I did Gypsy and saw Tyne Daly, through song, dance and

La MaMa Moves! Dance Festival: “Les Choses Dernières” & “To Catch A Terrorist”

The opening weekend of the acclaimed La MaMa Moves! Dance Festival featured the only two headlining works which would perform at the Ellen Stewart Theater -- an intimidating space for such intimate dance pieces. One, Lucie Grégoire Danse Company’s Les Choses Dernières: the New York premiere of a solo work made famous by the Montreal-based choreographer, now passed on to another dancer, and the other, Egyptian creator/performer Adham Hafez and HaRaKa Platform’s To Catch A Terrorist: a world-premiere of a new work and collaborative effort that utilizes spoken word as much as body language. Both explored disturbing topics that are

Mobile Unit: Henry V at The Public Theater

At any given moment in a theatrical season, it is likely there is a Shakespearean production being performed in both major and minor theatres and cities across the English-speaking world. The Bard’s relentless staying power is undeniable. But how do modern companies keep the work fresh and relevant, particularly the Histories, many of which are set in times, places and about people which seem to bear little significance on contemporary life in America? One simple answer is that at the root of all of these stories lie rich, complex and utterly human characters whose grappling with their struggles and delights in their

Cirque du Soleil VOLTA Brings Its New Big Top Show to The New York Area

There is simply nothing that can compare to the circus -- the dazzle, danger and derring-do, the shrieks of joy and gasps of amazement at the sheer feats of human accomplishment, both bizarre and beautiful at the same time. The “under-the-big-top” traveling, tented circuses have been around for hundreds of years and the origins of the acts, from juggling to contortion, for thousands of years, utilized to entertain both royal courts and street corners. But like all art forms, circus has fallen in and out of fashion over the eras as increasingly sophisticated audiences demanded much more than the mere

One Thousand Nights and One Day at A.R.T/New York Theatres presented by Prospect Theater Company

Humankind is made up of stories: the stories we tell others, those we tell ourselves, our version of the story, and even history is only a series of stories stamped with a seal of approval to be considered by the ruling power as “the truth,” though it is no more than yet another observation or opinion on what transpired. Stories have the ability to make us -- for they are the foundation where legends and heroes are born. But they also have the power and capacity to break us and tear us apart from our own kind, to separate us

Escape to Margaritaville on Broadway at the Marquis Theatre

Paul Alexander Nolan, Alison Luff and the cast of Escape to Margaritaville. Photo by Matthew Murphy. Photo above: Jimmy Buffett and cast. When April in New York City is ushered in by a blanket of snow, everyone could use a little getaway to somewhere warm, wonderful and inviting, far away from the hustle and bustle of city life, where one could entertain the unthinkable - to relax. For East Coast snowbirds who didn’t get the chance to fly south to Florida, or the Midwestern family of four who opted for The Big Apple instead of the Caribbean cruise, Escape From Margaritaville,

Rocktopia at The Broadway Theatre

Before there was Beatlemania, there was Lisztomania. The 19th Century Hungarian composer created such a fan frenzy that it would be the envy of any 20th or 21st Century musician - for classical music, along with Opera, and their creators, were the arena rock stars of their era. This grandness of mayhem and musicality is keenly felt in Rocktopia. So if you are looking for the most astounding arias, soaring symphonic sounds or incendiary electric guitar, you needn't bother with multiple trips to The Metropolitan Opera, Carnegie Hall or MSG - they're all under one roof at The Broadway Theatre! Rocktopia:

Cruel Intentions: The ’90s Musical Experience at (Le) Poisson Rouge

Sit back, grab a drink and strap yourself in for a ride on this sonically brilliant, delightfully cheeky romp through '90s nostalgia that's easily the most fun you'll have on or Off Broadway all year! With the current conditions of the world, it's no surprise and perhaps even the responsibility of the arts to portray and reflect upon where we are and how we got here. The result is (or can be) impactful and deep yet often heavy work laden with meaning and statements on our state of affairs. Even in comedic or satirical efforts such as Mankind or Jerry Springer

From the Horse’s Mouth: A Celebration of Egyptian Dance in All its forms and Traditions

The evening begins with an invocation to Egyptian goddess Hathor, praising her as “mistress of dance,” and “lady of jubilation.” But the woman who takes the stage is more evocative of Egyptian goddess Bastet with feline features and a catlike stride. Her stature barely surpasses 5 feet and yet she commands the entire space of the Theater at the 14th Street Y with her stately presence. This is Magda Saleh, the woman of honor and inspiration for this week long series of events and performances celebrating Egyptian dance, “in all its forms and traditions.” Ms. Saleh sets the tone with an

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