Alicia Keys’ HELL’S KITCHEN Musical at The Public Theater

HELL'S KITCHEN, a new musical at The Public Theater set in New York's iconic, eclectic Midtown West neighborhood, is a coming-of-age story about a typical teenager dealing with quintessential teen dramas -- family, friends, a boyfriend, love, loss, disappointment, and the spark that defines her path and purpose -- at a critical time in her life that shapes the future of what she will become -- a beloved international superstar.  That superstar is Alicia Keys, the fifteen-time Grammy Award-winning singer, songwriter, musician, producer, best-selling author, actress, film/TV/Broadway producer, entrepreneur and global activist. She's a force of nature and a source of

New York, New York: Come On, Come Through

Sometimes, all the elements for an excellent musical come together and the sparks simply don’t fly. Such is the case with New York, New York, a new musical based on a 1977 romantic movie. With songs by John Kander and the late Fred Ebb as well as new songs Kander wrote with Lin-Manuel Miranda, a book by David Thompson and Sharon Washington and direction and choreography by Susan Stroman, the show has all the makings of a hit, but the whole is not greater than the sum of its parts. The story, inspired by the classic film that gave New York

The Mobile Unit’s A Midsummer Night’s Dream at The PUBLIC Theater

Though some of the fantastical fairies and magically made-up men and women may have hung up their glittery wings and cast off their gilded lids and long lashes on November 1st, the true enchantment continues through November 17th at the Public Theater with The Mobile Unit’s playful production of Shakespeare's A Midsummer Night’s Dream. This costumed comedy of trickery is the perfect treat for the post-Halloween season. And, thanks to the mission of The Mobile Unit (a reinvention of the “Mobile Theater” originally founded in 1957 by Joe Papp) that art should be free and accessible to everyone -- the

BROADWAY: GETTIN’ THE BAND BACK TOGETHER AT THE BELASCO THEATRE

(WARNING! Contains spoilers) New York City -- the most dazzling and difficult place to live out your wildest dreams and fantasies. They say: “If you can make it here, you can make it anywhere,” but truth be told, many don’t make it. Such was the case for Mitch Papadopoulos (played by Mitchell Jarvis) -- the protagonist of Gettin’ the Band Back Together -- a Jersey boy turned stockbroker who had to revert to living with his mother in his childhood hometown across the Hudson River in Sayreville, NJ, after his career took a nosedive when he turned forty. The show can be

Mobile Unit: Henry V at The Public Theater

At any given moment in a theatrical season, it is likely there is a Shakespearean production being performed in both major and minor theatres and cities across the English-speaking world. The Bard’s relentless staying power is undeniable. But how do modern companies keep the work fresh and relevant, particularly the Histories, many of which are set in times, places and about people which seem to bear little significance on contemporary life in America? One simple answer is that at the root of all of these stories lie rich, complex and utterly human characters whose grappling with their struggles and delights in their

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