4:48 PSYCHOSIS Explores the Sounds of Despair, Rage and Hopelessness at Prototype Festival

Great art is meant to bring the viewer into another universe, perhaps allowing them to -- if only fleetingly -- experience previously unimagined scenarios, feelings and worldviews. It has the power and potency to connect us to the broader spectrum of emotions that make up the human condition. But what happens when this art is a semi-autobiographical piece of essentially heightened, poeticized and dramatized non-fiction that could be and has been regarded as “a 75-minute suicide note” (Michael Billington, The Guardian), such as 4:48 Psychosis -- the stark, often brutal, occasionally darkly comedic and deeply unsettling post-mortem work of English

La MaMa Moves! Dance Festival: “Les Choses Dernières” & “To Catch A Terrorist”

The opening weekend of the acclaimed La MaMa Moves! Dance Festival featured the only two headlining works which would perform at the Ellen Stewart Theater -- an intimidating space for such intimate dance pieces. One, Lucie Grégoire Danse Company’s Les Choses Dernières: the New York premiere of a solo work made famous by the Montreal-based choreographer, now passed on to another dancer, and the other, Egyptian creator/performer Adham Hafez and HaRaKa Platform’s To Catch A Terrorist: a world-premiere of a new work and collaborative effort that utilizes spoken word as much as body language. Both explored disturbing topics that are

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