New York, New York: Come On, Come Through

Sometimes, all the elements for an excellent musical come together and the sparks simply don’t fly. Such is the case with New York, New York, a new musical based on a 1977 romantic movie. With songs by John Kander and the late Fred Ebb as well as new songs Kander wrote with Lin-Manuel Miranda, a book by David Thompson and Sharon Washington and direction and choreography by Susan Stroman, the show has all the makings of a hit, but the whole is not greater than the sum of its parts. The story, inspired by the classic film that gave New York

‘Forbidden Broadway: The Next Generation’ at The Triad

Jenny Lee Stern (left) as Gwen Verdon and Chris Collins-Pisano (right) as Bob Fosse in a scene from FORBIDDEN BROADWAY: THE NEXT GENERATION at the Triad Theatre.

Forbidden Broadway: The Next Generation is review-proof.  Creator/Writer/Director Gerard Alessandrini started parodying The Great White Way in 1982, and The Triad Theatre (158 West 72nd Street) was packed with show-tune types for its first reincarnation in five years. Running through November 30, the 80-minute revue is the best kind of tried-and-true evening, matinee or celebratory time out with a great cast and Fred Barton at the piano. Alessandrini didn't have to look hard for new material.  Most of the skewering is for movies turned into musicals - a formula with mixed creative and box office results.  Moulin Rouge!, Tootsie and Beetlejuice  all get

Top