Theatre4the People and the Matthew Corozine Studio present ‘Under the Dragon’s Tail’ by Isaac Byrne

Real experts like E. M. Forester and Virginia Woolf knew what reviewers go out of their way explaining in wordy detail:  there is no such thing as a simple plot.  Like offline real life, a scripted tale's truths and lies depend on the teller. Playwright and director Isaac Byrne takes four familiar plotlines and tweaks them anew in Under the Dragon's Tail, four short plays performed by superbly talented members of Theatre 4the People (t4tp) at Matthew Corozine Studio Theatre. Snakes are modern-day descendants of dragons.  Ophiology is the scientific study of snakes and an appropriate title for the first play on the

Cassandra Rosebeetle and JL Marlor’s ‘The Final Veil’ at the cell theatre

Cassandra Rosebettle. Photo: Frank Padrone

  Co-Creator/Co-Choreographer/Director/Producer/Lead Performer Cassandra Rosebeetle and Co- Creator/Composer/Librettist JL Marlor describe The Final Veil as a movement opera.  Unlike traditional opera, The Final Veil is scored for a string quartet and best experienced in a smaller space like the cell theatre.  The female and non-binary quartet of singers and trio of dancers form a unified ensemble - a nuanced rethinking of Ancient Greek and grand opera choruses.  The resulting hour-long work is devastating. The "final veil" refers to the last moments of Franceska Mann (Cassandra Rosebeetle) life.  The German invasion of Poland starting World War II ended her promising career.  The 25-year-old Jewish dancer was first

Public Theater’s Free Shakespeare in the Park: Richard III

It’s important, if not essential, for theatre makers to be ambitious and take risks. Equally crucial, especially in today’s climate, is considering diversity and inclusion when casting. However, when a production tries to tick all the boxes at once, that can muddle the play’s message. The latter is the unfortunate result of the production of Richard III, directed by Robert O’Hara and starring Danai Gurira in the title role. Though the efforts and intentions were admirable and excellent performances were given by all, throwing in everything and the kitchen sink made the show fall short of its possible impact by presenting

Loveghost @ Blackrose L.A.

Back in L.A. for the first time in a while as my presence was requested at Blackrose L.A. I couldn't resist the opportunity at seeing a live musical event. Blackrose LA is a new venue and will soon rival The Viper Room as the preeminant music venue in Los Angeles   As the Pandemic eases up and quietude passes, more and more opportunities to write about live events are rearing their opportunistic heads. A random call in New York brought me here to check out this dramatic, eye-catching and dazzling event at Blackrose LA. headlined by LA mainstay, Loveghost.   The entertainment for the

“Richard III” – Shakespeare in the Park

This summer, the Public Theater is celebrating the 60th season of Shakespeare in the Park, and it is one of the events that makes living in New York City a privilege. The first of the plays presented this year is the history play, "Richard III." Cards on the table right up front, "Richard III" is my favorite Shakespeare play, and the Wars of the Roses is a period in history I studied at some length. In short, I am an enthusiast, and readers deserve to know from whence these remarks come. Above all, this play is about power, its uses and mostly

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