A STRANGE LOOP Raises the Bar for Queer Black Representation and Sets a New Standard for Musicals Today

I first encountered A Strange Loop in 2015 at the Musical Theatre Factory when it was still located in a gay porn video warehouse above (the original) Drama Bookstore just around the corner of Port Authority. It was a mixed bag evening with various composers and lyricists trying out their works on performers, both eager to be heard amongst an audience of supportive peers instead of cruel critics. The song, which is the second-to-last 13 o’clock number for A Strange Loop now called “The Memory Song,” featured lyrics sung in rapid speed with mournful wailing by Larry Owens (the unconventional

THE PROM on Broadway at the Longacre Theatre

The Prom, now playing at the Longacre Theatre, might just be the show that single-handedly puts the Broadway back into Broadway musicals. With rare yet notable exceptions, most of them Tony winners -- Fun Home, Hamilton, Come From Away, The Band’s Visit and Dear Evan Hansen (the latter of which The Prom is a close cousin of but the cheerier, more bubbly sort) -- most musicals being produced today are based on branded properties: film or book adaptations, jukebox creations where the songs are guaranteed to be memorable hits (they already are) or pop culture icons (Spiderman: Turn Off The

Cruel Intentions: The ’90s Musical Experience at (Le) Poisson Rouge

Sit back, grab a drink and strap yourself in for a ride on this sonically brilliant, delightfully cheeky romp through '90s nostalgia that's easily the most fun you'll have on or Off Broadway all year! With the current conditions of the world, it's no surprise and perhaps even the responsibility of the arts to portray and reflect upon where we are and how we got here. The result is (or can be) impactful and deep yet often heavy work laden with meaning and statements on our state of affairs. Even in comedic or satirical efforts such as Mankind or Jerry Springer

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