The NY Indie Theatre Film Festival (NYITFF) opens its 2019 edition on February 8 at 7pm and is produced by the award-winning New Ohio Theatre (154 Christopher St.), in Manhattan’s West Village, and runs through February 11. The festival showcases over 30 short films, excerpts of features, and web series episodes made by theatre artists defying labels and branching out into recorded content. Marc Stuart Weitz, New Ohio Theatre’s Producing Director, generously shared his vision for the festival and what audiences can expect from this years line-up... What was the impetus for creating this festival produced by The New Ohio Theatre three
THE 3RD ANNUAL NY INDIE THEATRE FILM FESTIVAL OPENS FEBRUARY 8 WITH THE NEW YORK FESTIVAL PREMIERE OF THERESA REBECK’S POOR BEHAVIOR MS. REBECK WILL JOIN THE AUDIENCE FOR A TALKBACK AFTER THE SCREENING THE 2019 NYITFF FEATURES OVER 30 WORKS BY THEATRE ARTISTS, INCLUDING 14 PREMIERES, FROM FEBRUARY 8-11 New York, NY – The NY Indie Theatre Film Festival is excited to announce it will open its 2019 edition on February 8 with the New York festival premiere of Poor Behavior, the film directorial debut by Theresa Rebeck, based on her play of the same name. The 2019 NYITFF is produced by the
Lico Whitfield It was a powerful experience witnessing Gabriel Jason Dean’s production, “Triggered” presented by THE AMORALISTS - (“a diverse collective of uncompromising artists”). The show forms part of their 2018/2019 season entitled RICOCHET: An Amoralists Anthology about Surviving an American Epidemic, that features four original, intersecting plays that follow a community as it copes with the aftermath of a mass shooting. These four plays are being developed through their ‘Wright Club’ playwriting initiative where three writers tackle one unifying event. The three distinct perspectives are created by Gabriel Jason Dean, Charly Evon Simpson, and James Anthony Tyler. The season will
Worse Than Tigers is a bone-chilling, panic-attack inducing, primal, bloody, life resuscitator…and its funny. It’s a theatrical “Black Mirror”. What happens when we anesthetize ourselves from all of our feelings, cauterize all emotions and live in a “safe” controlled, flatlined existence? Will our demons and dark sides make their presence felt at all costs? Will emotions literally coming knocking at our door? This play is a discourse on the repercussions of repressing all “negative” feelings. It’s sneaky. It engages your intellect with complex, clever, funny dialogue revealing marital detachment, and then it pounces like a stalking animal that’s been biding
You’ll LOVE it! It’s Meredith Monk meets Laurie Anderson meets Urban Word meets Meryn Cadell meets Spalding Gray to create a spoken word duet that riffs on where we seek, find and lose love. It is a wellspring of tender and feisty fragments of Love stories in all of its guises. Vichet Chum and Laura Gragtmans’ work epitomizes good old fashioned great storytelling with an atmospheric, original underscore that transforms the heartbeat of inner anxiety and desire into sound waves, rhythms and repetitions. It’s a happy marriage of “wordsmithing” and technology, visual dazzle and aural titillation, skilled performers and onstage chemistry.
The Hole is one of the most powerful productions I have ever seen. I know in the future when this show achieves its meteoric success, I will remember fondly that I got to see its magnificence before the ticket prices were Hamilton impossible. It’s that perfect confluence of a sagacious playwright, astounding performers and an intuitive director. I was totally absorbed in every single moment, character transformation and life lesson – I was literally on the edge of my seat, craning forward towards the action, unable to look away. Zhailon Levingston has written this piece in the blood of our time.
Dear Diary LOL is the funniest show I have seen in ages. I was laughing like a hyena, snorting my fruit punch out of my nose and slapping my plus-one with the demented fervor of an overzealous evangelist. It’s all due to the verbatim diary entries of six tween-teens from the late 90s/early 2000s. These women willingly offered up their younger selves’ musings to lead artist, Francesca Montanile Lyons of the Antigravity Performance Project, to create this compelling gem. Francesca Montanile Lyons mined her own middle school diary and those of her willing friends – Megan Thibodeaux, Alicia Crosby, Nikki Hudgins,
The Opera is Always on the Table places us into a dystopian environment where the effects of war have infiltrated the kitchen table. Missives of “fallen cities” come to us via texts on “Mom’s” cellphone while she tries to set boundaries for her teenage “Daughter” as if its a normal day. It’s a bleak look at the fallout of soldiers returning home riddled with PTSD and the consequences of neglecting this veteran’s precarious mental health. The piece has been written by Hanna Lea Novak who is adept at writing complex dialogue to reveal plot. The text evolved out of a response
One Small Step…is a giant star jump through the sixth dimension and into an alternative reality where history is reworded. It’s an ode to otherness, to our desire to expand beyond the confines of our three dimensional universe and sniff at the possibility of realms beyond the known. Einstein’s theory of special relativity tickles our imaginations with the probability of higher dimensions and so the Saint Fortune company takes us on a space-time trial run. While there is doubt that our brains would be able to recognize 4D if it sat on our laps, One Small Step is all that
It’s a surprising exploration of the impossible space between us. It’s a harrowing look at how the everyman deals with self-implosion after an unexpected catastrophic supernova-style life event. While our “cannibal” galaxy devours the smaller ones in it’s orbit above, America seems to be eating itself below. The play questions if our violent collisions and interactions permanently leave vast distances between us that can never be traversed. It’s a riveting work where both the micro- and macrocosm share the stage, where the milky way feels present in the room as well as the smallest human quarks, leaving us clinging to