HELL'S KITCHEN, a new musical at The Public Theater set in New York's iconic, eclectic Midtown West neighborhood, is a coming-of-age story about a typical teenager dealing with quintessential teen dramas -- family, friends, a boyfriend, love, loss, disappointment, and the spark that defines her path and purpose -- at a critical time in her life that shapes the future of what she will become -- a beloved international superstar. That superstar is Alicia Keys, the fifteen-time Grammy Award-winning singer, songwriter, musician, producer, best-selling author, actress, film/TV/Broadway producer, entrepreneur and global activist. She's a force of nature and a source of
Tag: nyc
Interview with Buck Gooter’s Billy Brett
Buck Gooter was formed in 2005 by multigenerational bandmates Terry Turtle and Billy Brett. The duo met in Harrisonburg, Virginia while working at the Little Grill Collective (known for hosting early Old Crow Medicine Show sets). The quirky name is the result of Terry hurling a playful joke at Billy with his mouthful. Buck Gooter’s eclectic sound is hard to pinpoint with the limitations of a single genre. It’s industrial-folk blues with electronic elements, primal screams and dark, moody, melancholic lyrics verging on the sinister. Imagine a caged beast who’s a half-alien, half-mythical medieval creature hybrid stuck in a cage in
From War-Torn Childhood to Early Career Success: Actress Anna Cherkezishvili’s Unparalleled Journey
"Back home, I only observed people trying to blend in with their environment. But onscreen, I saw individuals. I saw freedom. I saw expressiveness. Every character in the American movies I soaked in growing up was a complete, unique individual with original motivations and a blasé disregard for the status quo. That is the life that I wanted,” expressed Anna Cherkezishvili. As the fervorous Georgian actress’s career continues to take root, Cherkezishvili took the time to speak with Stage Biz for an exclusive dive into her path from war-torn childhood to current early career success. “When I was very young, I loved the
Bated Breath Theatre Company presents ‘Voyeur: The Windows of Toulouse-Lautrec’ in Greenwich Village
Part street theatre, part walking tour and all fun, Bated Breath Theatre Company's, Voyeur: The Windows of Toulouse-Lautrec uses the West Village as its stage. Extended through November 22nd, the first live NYC stage production since COVID-19 shut theatres and disrupted everything is a socially-distanced (temperature check, audience is no larger than six, masks on at all times), journey through the artist's life and work. The Moulin Rouge's most famous visual memoirist is also the subject of Bated Breath's suspended show Unmaking Toulouse-Lautrec, both conceived and directed by Executive Artistic Director Mara Lieberman. The artist's Belle Époque Paris makes for passionate theatre material. In addition to creating
Mobile Unit: Henry V at The Public Theater
At any given moment in a theatrical season, it is likely there is a Shakespearean production being performed in both major and minor theatres and cities across the English-speaking world. The Bard’s relentless staying power is undeniable. But how do modern companies keep the work fresh and relevant, particularly the Histories, many of which are set in times, places and about people which seem to bear little significance on contemporary life in America? One simple answer is that at the root of all of these stories lie rich, complex and utterly human characters whose grappling with their struggles and delights in their
One Thousand Nights and One Day at A.R.T/New York Theatres presented by Prospect Theater Company
Humankind is made up of stories: the stories we tell others, those we tell ourselves, our version of the story, and even history is only a series of stories stamped with a seal of approval to be considered by the ruling power as “the truth,” though it is no more than yet another observation or opinion on what transpired. Stories have the ability to make us -- for they are the foundation where legends and heroes are born. But they also have the power and capacity to break us and tear us apart from our own kind, to separate us