Thursday, November 21, 2024
Summer in New York means, among a lot of other things, free performances in outdoor spaces. At Lincoln Center, Damroch Park, we had the third annual BAAND Together Dance Festival. For five nights, five of the city's best dance companies come together to celebrate movement. Ballet Hispanico, the American Ballet Theatre, Dance Theatre of Harlem, Alvin Ailey and New York City Ballet perform in a show-case of talent that is simply priceless. The artistic directors of the five companies offered this statement about BAAND: The BAAND Together Dance Festival is a testament to the vibrancy and diversity of the New York City
Tag: Lincoln Center
THE BLACK CLOWN Theatricalizes the Experience of Black Americans at the Mostly Mozart Festival
The triumphant, masterful production of The Black Clown—that performed its New York City premiere from July 24-27th as part of the 2019 annual Lincoln Center’s Mostly Mozart Festival—offered a theatricalized glimpse into the journey and experiences of a Black person in America. When I encountered what bass-baritone Davóne Tines—who performed the title role and adapted the piece along with composer Michael Schachter from Langston Hughes’ poem about a Black man’s resilience against a legacy of oppression—said about The Black Clown, I knew had to witness it firsthand: “When I first read The Black Clown it was like receiving a revelation that
Lincoln Center’s white light festival on Film: Dreyer’s ‘Ordet’
Now in its ninth year, Lincoln Center's white light festival explores ways of better understanding one's self and others. While there are no easy answers, generous programming in and around the complex provide artistic responses to seeking inner peace and fellowship. Here at Stagebiz we are excited about, well, the stage, let's make an exceptional exception. white light's first week included one of cinema's greatest seekers: Carl-Theodor Dreyer (1889-1968). His disquieting Ordet (The Word, 1955), screened on October 18 at the Walter Reade Theater, illustrates the interchanging properties of "light" and "dark." The Danish director made only four feature films. Three are
Jaap van Zweden’s First Week at The New York Philharmonic
With an opening night gala and an ambitious, awesome sounding first subscription concert, Jaap van Zweden officially became the New York Philharmonic's 24th Music Director. The Dutch maestro, who transitioned from Concertmaster of Amsterdam's Royal Concertgebouw Orchestra to conductor with the Leonard Bernstein's encouragement, comes to an orchestra still in serious need of overhauling and/or dynamiting David Geffen Hall and continuing its overdue image change. van Zweden's predecessor Alan Gilbert succeeded making the NYP a local and digital presence (here's hoping Gilbert gets his wish to one day conduct Olivier Messiaen’s St. François d’Assise because Manhattan socialites will never sign off on it unless