Thursday, November 21, 2024
The new musical adaptation of "The Great Gatsby" on Broadway seems to be in a race to outdo other shows that feature more rain than you can shake a stick at and more cars than Jerry Seinfeld could handle. Jay Gatsby, the self-made enigma and party king of West Egg, Long Island, is a man of insecurities hidden behind a facade of wealth, constantly teetering on the edge of exposure. Like all men. In this dazzling Jazz Age production, Gatsby’s grand gestures to impress the high society, from showcasing his Oxford photo like a desperate salesman to transforming his neighbor Nick's
Tag: Musical
Alicia Keys’ HELL’S KITCHEN Musical at The Public Theater
HELL'S KITCHEN, a new musical at The Public Theater set in New York's iconic, eclectic Midtown West neighborhood, is a coming-of-age story about a typical teenager dealing with quintessential teen dramas -- family, friends, a boyfriend, love, loss, disappointment, and the spark that defines her path and purpose -- at a critical time in her life that shapes the future of what she will become -- a beloved international superstar. That superstar is Alicia Keys, the fifteen-time Grammy Award-winning singer, songwriter, musician, producer, best-selling author, actress, film/TV/Broadway producer, entrepreneur and global activist. She's a force of nature and a source of
“The Harder They Come” — The Public Theater
The Public Theater presents this stage version of the 1972 film by the same name. It was the first Jamaican feature film, just a decade after independence, and the first film that exposed a world-wide audience to reggae music. Jimmy Cliff played the lead role, Ivanhoe (Ivan) Martin, and for a time, he was the face of reggae before that passed to Bob Marley. While writer-in-residence Suzan-Lori Parker has altered some of the plot for instance, (larger parts for Ivan's mother Daisy and his wife Elsa), she has retained the integrity of the story and theme. “The Harder They Come”
Public Works’ Musical Adaptation of “As You Like It”: Free Shakespeare in the Park
The 60th anniversary of The Public Theater's Free Shakespeare in the Park series was memorable. It opened with risk and ended with a reward. The first of the two productions for summer 2022 was Richard III, directed by Robert O'Hara and starring Danai Gurira in the title role. It seemed to be the summer of Richard III, and the choices made by The Public's version and other productions worldwide (notably in Canada and the UK) were the source of many conversations, press articles, and hot debates. In contrast, it's hard to imagine anything but praise for the delightful, exuberant modern musical
The Butcher Boy: A New Musical at Irish Repertory Theatre
Adaptations are tricky. The best ones manage to cover the key points and honor the tone of the source material without getting bogged down by too many narrative details. These elements must also work well with the tools of the chosen medium. The Butcher Boy, a new musical now playing at Irish Repertory Theatre, achieves the benchmarks of a solid, imaginative adaptation, despite the oddball choice of transforming Patrick McCabe’s acclaimed 1992 novel about a schoolboy’s descent into mischief, madness and murder as the world around him collapses in a small Irish town in the 1960s. The Butcher Boy features a
‘Space Dogs’ Blast Off at MCC Theatre
The Jetsons had Astro. Doctor Who K-9 and Karvanista. Boxey adopted robotic Daggit after the first Battlestar Galactica survived the Cylon attack but the poor kid's pet didn't. The original Enterprise crew ended up with two dogs (one good, one bad and both in unintentionally hilarious costumes) in The Enemy Within. Science fiction has long been a dog's world, but so was science at one testosterone-fueled time. In what was not such a Cold War secret, the Soviets used/abused dogs during the Space Race (1955-1975). The best-known stray was Laika ("Barker"), the first earther to orbit the planet in 1957. Her dedication to the
“Bat Out of Hell”, Finishes Up A Stellar Run At The New York City Center Theatre This Sept 8th
Andrew Polec, Christina Bennington ride into hellfire in Bat Out of Hell from August 1st to Sept 8th at The New York City Center. Photo By: Playbill.com The 1970's were a profoundly prolific time in American history. Whether it be politically, through fashion or musically, that time in history will stay saturated in the minds of those who were alive during it. 1977 specifically gave us many important historical moments and unforgettable events. It was the year Jimmy Carter was sworn in as President. 1977 boasts the release of Star Wars which changed the world of film forever. Also, just as important
DRAGON SPRING PHOENIX RISE at The Shed is a 21st Century Kung Fu Spectacle
Swords whizzed past heads close enough to cut their opponents’ hair; dancers dropped from or rose to the sky like celestial beings dangling on a mere thread; acrobatic action scenes shifted into nightclub extravaganzas complete with vogueing routines; fire and water danced alongside the performers as elemental partners, adding to the danger and thrills. A dream team of talents was assembled to realize co-conceiver and director Chen Shi-Zheng’s vision that was initially inspired by observing Bruce Lee’s audition tape for his film debut at age 18. All of this and more came together to create Kung Fu spectacle Dragon Spring
A STRANGE LOOP Raises the Bar for Queer Black Representation and Sets a New Standard for Musicals Today
I first encountered A Strange Loop in 2015 at the Musical Theatre Factory when it was still located in a gay porn video warehouse above (the original) Drama Bookstore just around the corner of Port Authority. It was a mixed bag evening with various composers and lyricists trying out their works on performers, both eager to be heard amongst an audience of supportive peers instead of cruel critics. The song, which is the second-to-last 13 o’clock number for A Strange Loop now called “The Memory Song,” featured lyrics sung in rapid speed with mournful wailing by Larry Owens (the unconventional
BEETLEJUICE the Musical on Broadway
Beetlejuice, Beetlejuice, Beetlejuice! Cheering his name three times from the rafters wouldn’t be nearly enough to glorify this utterly fantastic stage adaptation. Praise the dark forces that conjured such a demonic delight! Its wild antics and grotesque yet glittery depictions of the underworld have restored lightness, cheek-aching laughter (as well as glimmers of unexpected depth) and unabashed, over-the-top, go-for-broke fun back to Broadway that hasn’t been this good since The Book of Mormon took over the town. It is a crowd-pleasing wonder that’s as irresistible as it is playfully offensive, just like the namesake character, who could have only been