Sunday, November 17, 2024
HELL'S KITCHEN, a new musical at The Public Theater set in New York's iconic, eclectic Midtown West neighborhood, is a coming-of-age story about a typical teenager dealing with quintessential teen dramas -- family, friends, a boyfriend, love, loss, disappointment, and the spark that defines her path and purpose -- at a critical time in her life that shapes the future of what she will become -- a beloved international superstar. That superstar is Alicia Keys, the fifteen-time Grammy Award-winning singer, songwriter, musician, producer, best-selling author, actress, film/TV/Broadway producer, entrepreneur and global activist. She's a force of nature and a source of
Tag: the public theater
Public Works THE TEMPEST at The Delacorte Theater
Though hurricanes, the stormy skies and the trail of destruction they bring raged across America at the tail end of summer, all was calm and serene as professional artists and community participants alike graced the Delacorte Theatre for one last time before 2025. The production was a jubilant musical take on Shakespeare’s final play, The Tempest, as envisioned by Public Works, currently helmed by Lauire Wooley, featuring well-crafted, richly varied and genre-bending music and lyrics by Benjamin Velez and simple yet playful choreography by Tiffany Rea-Fisher. Ancestral spirits from Seneca Village and the Isle of Manahatta, the homeland of the
Free Shakespeare in the Park’s HAMLET at The Delacorte Theater
If last year was “The Summer of Richard III,” with numerous productions worldwide and varying portrayals of the “poisonous bunch-backed toad,” including The Public Theater’s Free Shakespeare in the Park version directed by Robert O’Hara (see my StageBiz review here), then 2023 is “The Tale of Two Hamlets.” Two Public Theater productions featuring the titular tragic prince were running simultaneously at the time of Free Shakespeare in the Park’s Hamlet’s opening, the second being James Ijames’ excellent, Pulitzer-Prize winning modern-day riff on the Hamlet tale, dubbed Fat Ham, which transferred to Broadway and closed July 2 after an extension (see
shadow/land at The Public Theater
Americans are bombarded by tragedies every day; mass shootings, police brutality, and natural disasters like fires, floods, tornadoes and hurricanes. People become numbers, and their stories and struggles are reduced to headlines or photos showcasing their stress. It’s easy to become numb and forget the human aspect behind the images and figures. shadow/land by playwright Erika Dickerson-Despenza humanizes one of the worst disasters in American history, not only in terms of the damage that nature caused but the lives lost due to negligence and lack of care and support for vulnerable populations. The play examines the breakdown of a mother-daughter relationship
Plays for the Plague Year: Art and Catharsis
There is something powerfully cathartic about art created out of trauma, especially when that art reminds us that we aren’t alone in our pain. In Plays for the Plague Year, which opened last night at The Public Theater’s Joe’s Pub, Suzan-Lori Parks reminds her audience that pain shared is halved, but joy shared is doubled. Parks created the piece from March 2020 to April 2021 while the country was in lockdown. Much as she did with 365 Days/365 Plays, Parks wrote one short play (and some songs) for each day, documenting the fear, anger and helplessness that dominated the national discourse
Under the Radar Festival: 2023 Highlights
Lovers of avant-garde, cutting-edge performing arts in tune with the current pulse rejoice! The Public Theater’s annual theater festival, Under the Radar, is back after a hiatus since its 2020 edition. This year brought some of the most exciting creators making new work locally, nationally, and globally. This year’s UTR Festival sprawled out across various venues beyond the Public’s Astor Place home, including the Brooklyn Academy of Music (BAM), The New York Public Library, and La MaMa, to name those I visited. My final show was a homecoming to Joe’s Pub for New York cabaret artist Salty Brine’s monstrously fun
Madeline Sayet’s WHERE WE BELONG at the Public Theater
Theatre-maker Madeline Sayet straddles many identities that often contrast and sometimes conflict. She's half Mohegan (on her mother's side) and half Jewish (on her father's side). Sayet is also an actress/director and an academic who found joy and solace in escaping through Shakespeare. But she can't shake the painful scars of colonialism that haunts her people's present and flavors their future, where erasure is imminent if the next generation doesn't keep the Mohegan language and traditions alive. It's a heavy burden for a young woman searching for her place in this world and a sense of belonging. In her solo show,
Public Works’ Musical Adaptation of “As You Like It”: Free Shakespeare in the Park
The 60th anniversary of The Public Theater's Free Shakespeare in the Park series was memorable. It opened with risk and ended with a reward. The first of the two productions for summer 2022 was Richard III, directed by Robert O'Hara and starring Danai Gurira in the title role. It seemed to be the summer of Richard III, and the choices made by The Public's version and other productions worldwide (notably in Canada and the UK) were the source of many conversations, press articles, and hot debates. In contrast, it's hard to imagine anything but praise for the delightful, exuberant modern musical
Fat Ham at The Public Theater: Succulent Joy Triumphs Over Tragedy
For a play premiering on Memorial Day weekend, what could feel more festive than a family gathering at a backyard barbecue served with a side of Shakespeare, a heaping portion of pop culture references, simmered in family drama, seasoned with violence and a dash of glitter to taste? Ay, there's the spice rub! Shakespeare's plays have had many adaptations and updated versions that take creative licenses with the Bard's works and themes. A favorite choice is the tale of the brooding, tragic prince with intense and questionable family dynamics. The Guardian recently published a piece examining the obsession that dramatists of stage and
Under the Radar Festival 2021: Re-envisioned Virtually
It’s 2021. We made it. Now what? For those of us fortunate enough to have survived (though not without scars) the year that no one could have imagined, we enter the new year less naive and more prepared for the unexpected. Fortunately, one of the annual delights that kicks off each January with surprisingly fresh performances from local artists and exciting international companies has returned. The Public Theater’s Under the Radar Festival is back for its 17th triumphant year, albeit differently than before. Like everything else, the festival’s offerings are confined to virtual viewings and one very personal phone call. The artists