Sunday, November 17, 2024
HELL'S KITCHEN, a new musical at The Public Theater set in New York's iconic, eclectic Midtown West neighborhood, is a coming-of-age story about a typical teenager dealing with quintessential teen dramas -- family, friends, a boyfriend, love, loss, disappointment, and the spark that defines her path and purpose -- at a critical time in her life that shapes the future of what she will become -- a beloved international superstar. That superstar is Alicia Keys, the fifteen-time Grammy Award-winning singer, songwriter, musician, producer, best-selling author, actress, film/TV/Broadway producer, entrepreneur and global activist. She's a force of nature and a source of
Author: Cindy Sibilsky
Cindy Sibilsky is a Broadway, Off-Broadway, US and international producer, tour producer, marketing/PR Director, and writer/journalist focused on fostering meaningful global cultural exchange through accessible, universally appealing entertainment. She is devoted to bringing shows and companies from around the world to the US and beyond, or calling attention to them through reviews. Cindy is a regular contributor for Broadway World, Anime News Network, and American Theatre Magazine, among others. Her writing has been translated into four languages. In 2019 she acted as guest editor, curator, and main features writer for a special edition of American Theatre Magazine on Japanese Contemporary Theatre.
DRACULA: A COMEDY OF TERRORS at New World Stages
Combine elements of Rocky Horror Picture Show and Beetlejuice with The 39 Steps and Mel Brooks’s Young Frankenstein, add a quick-witted, fast-paced, farcical script, mix in five phenomenally talented actor comedians, dozens of fanciful quick-change costumes, all wrapped up in a big batty vampire bow and you’d have Dracula: A Comedy of Terrors. The show, written by Gordon Greenberg (who also directs it) and Steve Rosen, now playing Off-Broadway at New World Stages, is a riotous romp that’s sexy, spooky and utterly hysterical. Though Dracula (played by the devastatingly dashing and terrifically talented James Daly, who’s more of an Alexander Skarsgard
CHASING HAPPY by Michel Wallerstein Debuts at Theatre Row
Ideals like those proclaimed in the Declaration of Independence, including “life, liberty, and the pursuit of happiness,” may be considered “self-evident” to the Founding Fathers of the USA, but they weren’t living in today’s world, inundated by obstacles to these “certain inalienable rights,” despite the progress made over a few hundred years. Admittedly, we have it comparatively better in many ways, but pursuing happiness can feel more challenging than ever. Whole movements, companies, and apps have been created to support our quest for contentment. Yet even for those fortunate enough not to be caught up in the worst of woes,
Public Works THE TEMPEST at The Delacorte Theater
Though hurricanes, the stormy skies and the trail of destruction they bring raged across America at the tail end of summer, all was calm and serene as professional artists and community participants alike graced the Delacorte Theatre for one last time before 2025. The production was a jubilant musical take on Shakespeare’s final play, The Tempest, as envisioned by Public Works, currently helmed by Lauire Wooley, featuring well-crafted, richly varied and genre-bending music and lyrics by Benjamin Velez and simple yet playful choreography by Tiffany Rea-Fisher. Ancestral spirits from Seneca Village and the Isle of Manahatta, the homeland of the
Free Shakespeare in the Park’s HAMLET at The Delacorte Theater
If last year was “The Summer of Richard III,” with numerous productions worldwide and varying portrayals of the “poisonous bunch-backed toad,” including The Public Theater’s Free Shakespeare in the Park version directed by Robert O’Hara (see my StageBiz review here), then 2023 is “The Tale of Two Hamlets.” Two Public Theater productions featuring the titular tragic prince were running simultaneously at the time of Free Shakespeare in the Park’s Hamlet’s opening, the second being James Ijames’ excellent, Pulitzer-Prize winning modern-day riff on the Hamlet tale, dubbed Fat Ham, which transferred to Broadway and closed July 2 after an extension (see
shadow/land at The Public Theater
Americans are bombarded by tragedies every day; mass shootings, police brutality, and natural disasters like fires, floods, tornadoes and hurricanes. People become numbers, and their stories and struggles are reduced to headlines or photos showcasing their stress. It’s easy to become numb and forget the human aspect behind the images and figures. shadow/land by playwright Erika Dickerson-Despenza humanizes one of the worst disasters in American history, not only in terms of the damage that nature caused but the lives lost due to negligence and lack of care and support for vulnerable populations. The play examines the breakdown of a mother-daughter relationship
Under the Radar Festival: 2023 Highlights
Lovers of avant-garde, cutting-edge performing arts in tune with the current pulse rejoice! The Public Theater’s annual theater festival, Under the Radar, is back after a hiatus since its 2020 edition. This year brought some of the most exciting creators making new work locally, nationally, and globally. This year’s UTR Festival sprawled out across various venues beyond the Public’s Astor Place home, including the Brooklyn Academy of Music (BAM), The New York Public Library, and La MaMa, to name those I visited. My final show was a homecoming to Joe’s Pub for New York cabaret artist Salty Brine’s monstrously fun
Madeline Sayet’s WHERE WE BELONG at the Public Theater
Theatre-maker Madeline Sayet straddles many identities that often contrast and sometimes conflict. She's half Mohegan (on her mother's side) and half Jewish (on her father's side). Sayet is also an actress/director and an academic who found joy and solace in escaping through Shakespeare. But she can't shake the painful scars of colonialism that haunts her people's present and flavors their future, where erasure is imminent if the next generation doesn't keep the Mohegan language and traditions alive. It's a heavy burden for a young woman searching for her place in this world and a sense of belonging. In her solo show,
FC Bergman’s 300 el x 50 el x 30 el at BAM Next Wave
How does one describe the foreboding feeling of the calm before the storm? What might you witness if you peeked into the homes of a small community before a raging tempest transpired? In the US and Brooklyn Academy of Music (BAM) premiere of 300 el x 50 el x 30 el by the daring, provocative Belgian theatre company FC Bergman, you don’t have to guess. Instead, you are granted fly-on-the-wall access to the private moments of ordinary people with quirky and bizarre habits, blissfully unaware of the storm brewing. The Harvey Theater at BAM Strong is transformed into a quaint European
Public Works’ Musical Adaptation of “As You Like It”: Free Shakespeare in the Park
The 60th anniversary of The Public Theater's Free Shakespeare in the Park series was memorable. It opened with risk and ended with a reward. The first of the two productions for summer 2022 was Richard III, directed by Robert O'Hara and starring Danai Gurira in the title role. It seemed to be the summer of Richard III, and the choices made by The Public's version and other productions worldwide (notably in Canada and the UK) were the source of many conversations, press articles, and hot debates. In contrast, it's hard to imagine anything but praise for the delightful, exuberant modern musical