Thursday, April 3, 2025
One of the highlights of this year's edition of the Annual Fringe Encore Series is Sam Chittenden's take on Kafka's novella, "Metamorphosis." While the script is intriguing, the performance of Heather-Rose Andrews in this one-woman show is what makes the production stand out. Kafka's tale is simple enough, Grego Samsa wakes up one morning to discover he has changed into an insect. Chittenden spins this in an interesting way by using Greta Samsa, Gregor's much younger sister, to tell the tale. Her metamorphosis from child to woman takes place against the backdrop of her brother's unlikely and disturbing change. Gregor's change
Reviews
Dorrance Dance Brings Tap “Nutcracker” to Joyce Theater
I know what you are thinking. Great, yet another version of the Nutcracker at Christmas. Just what we need. Well, this one IS just the one we need. While the more traditional versions are taking up space that would otherwise be used for a retread of “A Christmas Carol,” Michelle Dorrance and her dancers have brought to the Joyce a fun, whimsical version of the Tchaikovsky classic by way of Duke Ellington and Billy Strayhorn. The result is a dance performance that breathes new life (and fun) into what has become tradition at best and cliché at worst. It is tempting to
The Rat Pack Is Back and Rudy Fusco Leads The Charge As Joey Bishop
One of my favorite subjects has always been the Rat Pack. Ever since I was a child and visited my grandparents up the block from my parents home on May Street. My very Italian grandmother always had some sort of traditional crooned music playing. Frank Sinatra was always at the head of those listening sessions along with Dean Martin, Sammy Davis Jr and a host of others. A majorly talented group of entertainers that first started with Humphrey Bogart and Eva Gardner and finally ended with Joey Bishop when he died in October of 2007. The last of the Rat
The New Stage Theatre Company’s ‘Near to the Wild Heart’
2020 marks the centennial of Clarice Lispector's birth. The Ukrainian-Jewish refugee who settled in Brazil has long been acclaimed as a feminist trailblazer in male dominated South American literature. Fortunately, her canon is newly translated into English. The New Stage Theatre Company celebrates Lispector with an evocatively uncompromising adaptation of Near to the Wild Heart. Artistic director Ildiko Nemeth's production is both an English-language premiere and first-ever North American stage adaptation of Lispector's 1943 debut novel. Lispector's writing is semi-autobiographical and surreal - the artistically experimental, not the hashtag kind. The "Wild Heart" belongs to Joana (Sarah Lemp), who is smart, bored and unhappily married to Otavio
Matt Nagin’s New Collections of Comedic works “Do Not Feed The Clown” Is Something Undeniably Funny and Inconceivably Different
Comedy is a very subjective concept. What one person finds funny another might not. Any person who says any particular thing isn’t funny, is wrong. This is because someone will find it funny. Even if just one person laughs. Then it’s funny. It’s not an argument. It’s a fact. If all 8 billion people in the world don’t laugh, then I guess it’s not funny, but if one does, then that person found it funny. What you get with Matt Nagin‘s new book Do Not Feed The Clown is something undeniably funny and inconceivably different. A collection of 34 short comedic pieces. Some of them even come
NUTCRACKER ROUGE at Théâtre XIV
NUTCRACKER ROUGE is a scopophiliac's nirvana. The deep pleasure of "looking" is sated by being able to gaze unbidden into the erotic, sensual and sexy crack in the universe opened by this prurient production. We are not merely peeping through the keyhole into the secret wonders beyond, but are invited in to sit right up close to the cheeky exuberance. We are inside award-winning director/choreographer Austin McCormick's robust, decadent, gourmet, fantasy land of sexual awakening. He has reimagined The Nutcracker as a titillating, seductive burlesque that takes the character of young "Marie Stahlbaum" on an unforgettable self actualizing journey -
The Chase Brock Experience’s ‘The Four Seasons’
The November 26, 2019 publication of The UN environment programme Emissions Gap Report 2019 confirms yet again that Earth is in serious trouble. Findings directed specifically at the U.S. and China conclude that action must be taken ASAP. Thru Sunday, December 8 at Theatre Row, The Chase Brock Experience provides a strong response to climate change with The Four Seasons, which Brock visualizes as a dance of destruction. Brock's 2008 ballet (female dancers wear ballet slippers instead of pointe shoes) is a loose, yet potent, narrative. The dancers - Jane Abbott, Michael Bishop, Chloë Campbell, Kendrick D. Carter, Kassandra Cruz, Kory Geller, David Hochberg, Yukiko Kashiki, Honza Pelichovský,
HOOKED ON HAPPINESS at Theater for the New City
HOOKED ON HAPPINESS is an original climate change musical tackling the crisis through the perspective of a high school drama class. Two students Kim and Eric are inspired to create their own production after a heated debate on the beach where they commiserate on the inability of their parents to snap out of misery and embrace positive action. They infect their class with their enthusiasm and soon they are co-opting their teacher to allow them to write their own response to the climate crisis instead of doing the old standards of OUR TOWN or HELLO DOLLY! for the yearly school
Virgo Star at La Mama’s Downstairs Lounge
VIRGO STAR heroically encapsulates the convergence of queer and cowboy in a homoerotic, fictionalized "Wild West". The Pioneers Go East Collective interrogates the notion of "masculinity" as personified by American Cowboy iconography, visuality and sound. But this is a new riff on the spaghetti western - as the characters come face to face with their fragility, sense of belonging and rigors of their own nature in this steamy wild, wild west conjured by director Gian Marco Riccardo Lo Forte. This is no unrequited Brokeback Mountain love story but rather a fragmented "son of a gun stew" filled with every ingredient imaginable. They
BAM Next Wave 2019: ‘The End of Eddy’
"From my childhood I have no happy memories. I don’t mean to say that I never, in all those years, felt any happiness or joy. But suffering is all-consuming: it somehow gets rid of anything that doesn’t fit into its system." Édouard Louis Young Adults are not the usual Next Wave Festival crowd, so BAM's new Artistic Director David Binder included them in his inaugural season of debuts.artists. He and Next Wave couldn't have made a wiser choice than selecting Pamela Carter's adaptation of Édouard Louis's autobiographical novel The End of Eddy. The joint production of Scotland's Untitled Projects and the U.K.'s Unicorn Theatre chronicling the author's